Zur deutschen Seite.
(Deutsche und englische Artikel,
deutsche Oberfläche.)

Read the German page.
(German and English articles,
with German interface.)

Read the English page.
(Only English articles,
with English interface.)

Zur englischen Seite.
(Nur englische Artikel,
englische Oberfläche.)

Posts Tagged ‘ŌBAYASHI Nobuhiko’

Playing together, winning together

Monday, May 26th, 2014

After discovering the works of director Nobuhiko Ōbayashi with his 1983 movie Toki o kakeru shōjo (The Girl Who Leapt Through Time) on the video on demand service Wii no Ma: Cinema no Ma, I came to understand that his early 1980ies movies seem to be intrinsically linked with the rise of otaku culture, that has become so popular in the West, and one of their favorite media, the video game. Toki o kakeru shōjo released close to the Family Computer (Nintendo Entertainment System in the West), Nintendo’s first console, which is also the reason why this movie was the first to be chosen for relase on the above mentioned video on demand service.

Another one of Ōbayashi’s movies from two years earlier, Nerawareta Gakuen (School Under Fire, 1981), also contains at least two striking connections with Nintendo. Let’s take a look at this scene from the movie, in which the protagonist Yuka Mitamura helps her class mate Kōji Seki win a kendō tournament using psychokinesis, a power she believes to have received from god.

Nerawareta Gakuen: Tournament Scene

(more…)

The Girl Who Leapt Through Time (Toki o kakeru shōjo) Part 6: Return, Reset and Finding That Person Again

Friday, October 25th, 2013

Spoiler warning! This article contains spoilers for Chrono Cross, Persona 2 Innocent Sin, Final Fantasy X, its sequel X-2 and Lost Odyssey.

With his movie ŌBAYASHI made the connection between The Girl Who Leapt Through Time and The Wizard of Oz. This children’s book classic represents a number of similar youth novels in which a protagonist from the real world travels to an unreal fantasy world. TAKAHASHI mentioned Narnia in his text on Mother; there is also Alice in Wonderland which comes to mind, or The Never Ending Story. This last example is interesting as the fantastic world traveled to is actually the narrative of a book, which emphasizes the common theme in these novels: The reader is supposed to identify with the real life protagonist and his journey to the strange world is actually the reading of the story. When the story ends, the protagonist returns to the real world.

Now let’s compare this to The Girl Who Leapt Through Time. Here instead of one (or few) real person(s) traveling from reality into the fantastic, one person from a fantastic future comes into reality. He does return but to make the fantastic disappear his influence has to be undone, so in place of a return for Kazuko there is a reset. Kazuko never leaves reality, cannot return in a spatial sense, instead she returns to an earlier point in reality, before the fantastic occurred.

Fushigi Yūgi

The cover of volume 14 of Fushigi Yūgi by WATASE Yū. It shows heroine Miaka and her lover Taka/Tamahome in the background.

The movie version of Oz has the same actors who play the characters in the world of Oz also play the people from Dorothy’s reality in Kansas. This indicates that fiction is based on reality, that the made up characters are reflections of people that live in reality. In Fushigi Yūgi, a manga for girls from the 1990ies, after going on an adventure by being sucked into a book that tells of a fantastic ancient China the story doesn’t end with the return to the real life setting. Instead there are several volumes dealing with a guy resembling the love interest from the fantastic part transferring to the school of the female protagonist and them falling in love again.

It is a more pronounced version of Kazuko meeting Kazuo again, minus the reset. Fushigi Yūgi‘s Miaka doesn’t forget her Tamahome, instead she returns from the fantasy and meets his reincarnation Taka. I have talked about how The Girl Who Leapt Through Time influenced Final Fantasy in part 3 and how another video game, Mother, fits in with the same themes present in The Girl Who Leapt Through Time in part 4. There are more video games that share themes from it and I will give two examples that use the “reset and finding a person from the fantastic adventure again in reality” motif. Both came out for the Playstation and after Final Fantasy VII.

(more…)

Toki o kakeru shōjo – Comparison of novel and parody

Sunday, October 20th, 2013

Characters

YOSHIYAMA Kazuko Kanojo (she)
FUKAMACHI Kazuo Kazuo
ASAKURA Gorō Gorō
FUKUSHIMA-sensei FUKUSHIMA-sensei
Tramp
KOMATSU-sensei Teachers
KAMIYA Mariko Mariko
Ken Sogoru Tomoyo
Kazuko’s mother and younger sisters
Kazuo’s parents
Onlookers and neighbors
Classmates Violent students
Shin-chan
Police

Objects

Medicine
Geta
Pajamas and nemaki
Kazuko’s note
Windows
Camera

Places and sceneries

After school After school
The outside world
The lab room The lab room
The toilet
Kazuko’s house
Kazuko’s room
Kazuo’s house
Gorō’s house
Public bathhouse
Crowded street at night
Empty streets at night
Traffic accident
Ken Sogoru’s future

Major plot points

The strange power The strange power
Experiencing the same events again
Guilt and Blame Parody and dignity
The paradox Leading and supporting roles
String of calamities Violence
The nightmare The rape
Memories Escape into fiction
Comparison of present and future Comparison of fiction and reality
Time traveling mechanics A future that is predicted by the past

The Girl Who Leapt Through Time (Toki o kakeru shōjo) Part 5: The Parody

Saturday, October 19th, 2013
Impaled Professor: Collection of short stories containing Scenario: The Girl Who Leapt Through Time.

Impaled Professor: Collection of short stories containing Scenario: The Girl Who Leapt Through Time.

In June 1983, one month before the first screening of the movie adaptation TSUTSUI also returned to his story and published a parody of it called Scenario: Toki o kakeru shōjo in SF Adventure, a popular SF magazine of the time running stories of that genre. It was later collected in Kushizashi kyōju (Impaled Professor, 1985) and is only about 10 pages long.1 Pages 155-164. TSUTSUI assumes his readers already know the original story and only uses some key scenes to retell it. Instead he introduces new story elements taken from the contexts of contemporary society like school violence and let’s his characters comment on the upcoming movie version.

Scenario: The Girl Who Leapt Through Time: The original script for the movie.

Scenario: The Girl Who Leapt Through Time: The original script for the movie.

In the same month, KENMOCHI’s script for the movie was also published using the same title: Scenario: Toki o kakeru shōjo. The word scenario in the first instance refers to the screen play and TSUTSUI’s parody approaches the style in which such screen plays are usually written, describing what the camera shows and giving the lines of the characters. Yet it only loosely follows this format and there are some major differences. In the second instance scenario refers to a potential outcome, like the future envisioned in the original story with a highly advanced educational system. Which doesn’t seem so likely with a present that sees violent outbreaks of students against adult authorities and teachers in particular.

(more…)

  1. Pages 155-164. []

The Girl Who Leapt Through Time (Toki o kakeru shōjo) Part 4: The Mother Connection

Tuesday, October 8th, 2013

I started this article series with The Girl Who Leapt Through Time and arrived at Final Fantasy in the last installment because that’s the chronological order the works were released in and could have influenced one another. But me personally of course I started by playing Final Fantasy and then discovering the older works that had influenced it. And The Girl Who Leapt Through Time was one of the last sources I discovered, thanks to the Famitsū interview with NOJIMA.

Glory of Heracles I had discovered earlier and even without KITASE saying so in interviews the parallels between GoH3 and FFVII were very obvious. Not just that, the common theme of saving the planet made another influence on these games also very obvious. Let’s take a look at Gaia from Glory of Heracles III:

planet_gaia

She literally is the planet all the characters from the game live on and like a kind mother she forgives the injury humans caused her.

Now let’s compare Gaia to Aerith from FFVII. Aerith’s name closely resembles the word earth, even would be an anagram save for one letter. She can talk to the planet, kind of speaks for and represents it.

She is slightly older than Cloud, by Japanese custom of relating everyone in terms of family members she would be an older sister which by the same logic hierarchically puts her on a similar level as a mother. Cloud even accidentally calls her mother in the movie Advent Children, her and Zack appearing like his parents, the older generation. Cloud comes to Aerith asking for forgiveness.

Now let’s take a look at Aerith’s first appearance in the game’s opening:

planet_aerith01

planet_aerith02

A similar pose, standing and holding her hand(s) to her chest, looking at the screen. A similar backdrop, a starry sky surrounding Gaia, sparks surrounding Aerith. The color green, decorating Gaia’s head and neck and lighting Aerith’s face.

(more…)

The Girl Who Leapt Through Time (Toki o kakeru shōjo) Part 3: The Influence on Final Fantasy

Friday, September 27th, 2013

I mentioned at the beginning of the first part that Final Fantasy VII was inspired by The Girl Who Leapt Through Time. Let’s take a closer look at what writer NOJIMA Kazushige had to say about that connection and how the game actually draws upon this source work.

Final Fantasy director and producer KITASE Yoshinori repeatedly said in various interviews that he thinks former director and producer SAKAGUCHI chose NOJIMA to write FFVII because of his critical acclaimed work on Glory of Heracles 3. He also said he wanted NOJIMA to make FFVII as mysterious and surprising as that game.

Asked by Famitsū about how Glory of Heracles influenced FFVII, NOJIMA mentions The Girl Who Leapt Through time as another influence on FFVII. From the Famitsū interview from issue 1224, 2012 5/31:

Famitsū issue 1224, 2012 5/31 page 58

About the Influence of The Girl Who Leapt Through Time

Famitsū: Did you want to make FFVII into a mysterious story like the ones in the Glory of Heracles series, which you wrote before you came to Square?
NOJIMA: Even before I could decide something like that KITASE-san had already asked me to write it that way (laughs). Even though it’s a pretty straight forward story I guess you could say it uses mysterious imagery. With this as the base plot I added ideas from the database server [into which the other staff members uploaded their suggestions]. Speaking about these ideas, since the team was reading my half finished scenario they kept adding new settings and drawings so we were influencing each other during the writing process.
Famitsū: What kind of ideas did you use?

Famitsū issue 1224, 2012 5/31 page 58NOJIMA: Someone posted a setting about “mysterious men in black coats”, which I turned into the Sephiroth clones. I also borrowed imagery from movies. I especially took inspiration from The Girl Who Leapt Through Time starring HARADA Tomoyo. With FFVII, I wanted to recreate the impression of a “mysterious story” you get from watching that movie. Of course I didn’t just completely copy lines and settings one to one. I simply borrowed phrases like “To the lab room on Saturday” from the movie and using it as a motif turned it into “To the makō reactor 7 years ago”. …but no one seemed to notice that (laughs).

If you read the previous installments you of course know that going back to the lab room on Saturday, where it all started, going back to the root of the problem, or the Crisis Core in Final Fantasy VII terms, is what resolves the mystery of the story by TSUTSUI. The longer scene in FFVII in which the adapted quote comes up serves a very similar function and I want to revisit this scene to show how NOJIMA adapted motifs from TSUTSUI’s and ŌBAYASHI’s original works. Spoiler warning!

(more…)

Toki o kakeru shōjo – Comparison of novel and movie

Thursday, September 26th, 2013

Chronology

Mid of march
Saturday the 15th Saturday the 16th
2 to 3 days later Sunday the 17th
Tuesday the 18th Monday the 18th
Wednesday the 19th Tuesday the 19th
1st time leap occurs.
Tuesday the 18th Monday the 18th
Wednesday the 19th Tuesday the 19th
2nd time leap occurs
10 years ago
At night Present
3rd time leap occurs 2nd time leap ends
Saturday the 15th Saturday the 16th
Tuesday the 18th
Wednesday the 19th
10 years later, Saturday the 16th

Characters

YOSHIYAMA Kazuko YOSHIYAMA Kazuko
FUKAMACHI Kazuo FUKAMACHI Kazuo
ASAKURA Gorō HORIKAWA Gorō
FUKUSHIMA-sensei FUKUSHIMA Toshio
KOMATSU-sensei
TACHIBANA Naoko
KAMIYA Mariko KAMIYA Mariko
Ken Sogoru The visitor from the future
Kazuko’s mother and younger sisters YOSHIYAMA Noriko
YOSHIYAMA Ryōko
YOSHIYAMA Tetsuo
Kazuo’s parents FUKAMACHI Seiji and Tatsu
HORIKAWA Sadako
Onlookers and neighbors Onlookers and neighbors
Classmates Classmates
Man on bicycle A
Shin-chan Man on bicycle B
Police Police and firemen

Objects

Missing ski equipment
Bowl with burned powder
Medicine Medicine
Mother’s perfume Mother’s perfume
Gorō’s handkerchief
Clocks
Geta Geta
Necktie
Bicycle
Lover dolls
Picture of Kazuko with her bow and in hakama
Traditional doll
Cup of tea
Mirrors
Pot-pourrii
Pajamas and nemaki Pajamas and nemaki
Melon
Kazuko’s note Kazuko’s note
Picture of Kazuo’s deceased parents

Places and sceneries

After school
The lab room The lab room
Kazuko’s house
Kazuko’s room Kazuko’s room
Kazuo’s house Kazuo’s house
Gorō’s house Gorō’s house
Public bathhouse
Crowded street at night
Empty streets at night
Traffic accident
Mountains
The past
Ken Sogoru’s future The future

Major plot points

The strange power The strange power
Experiencing the same events again Experiencing the same events again
Guilt and Blame Guilt and Blame
The paradox The paradox
String of calamities The two accidents
Bumping into people
The Japanese view of the universe
The nightmare The nightmare
Memories Memories
Comparison of present and future Comparison of present and past
Time traveling mechanics The Wizard of Oz
The song
Maturity
Eternity

The Girl Who Leapt Through Time (Toki o kakeru shōjo) Part 2: The First Movie

Wednesday, September 25th, 2013
HARADA Tomoyo

HARADA Tomoyo

My first encounter with The Girl Who Leapt Through Time was actually the 1983 movie. It was the launch title of Nintendo’s Shiatā no ma (Theater room) video on demand service for the Wii and I watched it in December of 2009. It was written for the screen by KENMOCHI Wataru and directed by ŌBAYASHI Nobuhiko, starring HARADA Tomoyo as Kazuko. Apparently there’s also an English subtitled version called The Little Girl Who Conquered Time so you may want to seek that one out if you want to watch the movie yourself. Alternatively you could search Youtube for videos related to the movie. (more…)